Biases and Judgment Essay Example | Topics and Well Written Essays - 500 words

Biases and Judgment - Essay Example Several biases impact decisions, such as bias, or ethical issues related to the availability heuristic and bias related to the representative heuristic. Bias related to the availability heuristic pertains to being biased for information that is easier to recall and presumed as related (Korte, 2003, p.447). Bias related to the representative heuristic refers to evaluating situations using traits that represent stereotyped beliefs and values (Korte, 2003, p.447). The first judgment bias that I dealt with is related to anchoring and adjustment. Anchoring refers to focusing too much on an â€Å"anchor† or specific value in making decisions (Korte, 2003, p.447). Adjustment of decision-making occurs, when the decision becomes solely or greatly based on this anchor, instead of a wide range of factors (Korte, 2003, p.447). In order to deal with this bias, I used reflective decision-making, with expedient factors. Reflective decision-making pertains to having a long-term approach to decision-making, while expedience requires making fast decisions, often to achieve short-term goals (Hoch & Kunreuther, 2001, p.106). I needed to use reflective thinking, because I wanted to determine the potential anchors that I tend to use during making decisions. For instance, identifying the criteria for establishing an effective and efficient human resource department requires selecting the right factors and weighing them appropriately. I avoided anchoring a nd adjustment by considering different aspects of the problem, such as employee sentiments, resources, and situational factors. The organizations needs a more concrete HR system, but they cannot afford a whole-unit approach to HR. Some people would also not be open to professionalizing their HR systems, because of fear for drastic organizational changes that will upset the status quo. Instead,

Essential Oils for Muscle Discomfort and Inflammation Relief

Essential Oils for Muscle Discomfort and Inflammation Relief Whether from overwork or under use, many of us have had to deal with muscle aches and discomforts at one point or another. While there are several remedies available to relieve muscle discomfort, both natural and pharmaceutical, essential oils have their own role in soothing the sore muscles and offering relief. The most popular essential oils that are generally used to soothe muscle discomfort include wintergreen, cinnamon, marjoram, cypress and basil. With that said, here are some of the best essential oils you can use for muscle pain relief: Basil Basil can be applied directly as a massage oil to reduce swelling in the muscles. It works as a decongestant, antiseptic, muscle relaxant, anti-inflammatory, anti-bacterial, antiviral and antispasmodic. Individuals with epilepsy, kids, and pregnant females must avoid making use of basil. It may likewise be a skin irritant. Basil can either be ingested in diluted forms or used in a diffuser. Marjoram Marjoram essential oil can be beneficial for bronchitis, headache, asthma, whooping cough or any irregularity in muscles. With the right knowledge of its use, Marjoram fits for both oral consumption and topical application with no known side effects involved. Tea Tree There are not many side effects involved with the use of tea tree oil; however, a little caution must be followed when using this oil on children under the age of 6. In addition, I have found people using tea tree oil to have a higher vulnerability to contact sensitization. Neroli Neroli is calming, relaxing, promotes self-confidence, sensuality, peace of mind, and positivity. When used properly, there are no known side effects to using the oil. Neroli can be applied topically as a fragrance, or used in diffused form. Spearmint Spearmint essential oil can work wonders for those suffering from muscle pain and inflammation. There are no known adverse effects to using this oil; however, skin irritation is one of the negative outcomes when this oil id used for long. This oil can be taken orally, used externally or in a diffuser. Helichrysum Helichrysum is useful for reducing the inflammation of the muscles, acne and headaches. In addition, this oil promotes the healing of injuries or burns, detoxifies the body and boosts the immune system, reverses the signs of aging, and fights the fungal infections. There are no known adverse effects to making use of this essential oil, but ingesting it orally can be toxic. Helichrysum can be used both topically and in a diffuser. Peppermint Peppermint essential oil is highly relaxing for those suffering from muscle pain and inflammation. While there are no known negative effects to making use of peppermint oil, I have seen some people reporting problems like mild skin irritation. It can be taken internally, topically, or used in a diffuser. Wintergreen Wintergreen essential oil can be beneficial for small muscle aches and pains, issues of the kidney, nerve pain, arthritis, throbbing joints and menstrual pain. This oil is hazardous when ingested orally, and can trigger ringing in the ears, forgetfulness, belly pain, headache, vomiting and nausea, if not used appropriately. It can be applied topically to the skin or used in a diffuser. Clary Sage Clary Sage essential oil can be helpful for inflammation of the muscles when applied to the skin. There are no recognized negative effects to making use of clary sage, when taken in right amounts. It can be taken orally (it acts as a flavor for food) or used topically. Chamomile Chamomile essential oil helps in sleep and has soothing and relaxing properties that help to lower stress and anxiety. Possible adverse effects can include contact dermatitis, anaphylaxis and other extreme hypersensitivity reactions. You can diffuse it or rub 2 drops of this oil on the temples or back of the neck, either prior to going to bed or when dealing with a difficult situation. Cinnamon Cinnamon essential oil has the ability to stabilize blood sugar, reduce inflammation, and battle the infection. There are no known side results to using cinnamon; however, it may be a skin irritant and may irritate the nasal passages if not watered down. Cypress Cypress essential oil reduces pain in the muscles including muscle fatigue and spasms. In addition, this essential oil helps in relieving aching muscles after a strenuous exercise session. When used topically, it easily penetrates the skin and mixes with the blood within minutes, triggering immediate relaxation and pain relief. Common muscle illnesses and the essential oils you can use for them General Muscle Discomfort The best essential oils to use for general muscle discomfort are Marjoram and Pepper mint followed by wintergreen, white fir, vetiver, Spanish sage, silver fir, rosemary, Lemongrass, lavender, Ginger, Cypress, Birch, Basil and Balsam fir. Muscle aches If you are throbbing due to muscle pain or have fibromyalgia or connective tissue discomfort, the following essential oils are most helpful: Peppermint, Oregano, Marjoram, Clove and Birch. Other than these essential oils, I have found Wintergreen, White Fir, Thyme, Rosemary, Chamomile, Lavender and Helichrysum to be quite useful. Cardiac Muscle pain Yes, your heart is a muscle. Marjoram and Lavender work best for such muscle issues, followed by Rosemary, peppermint and Cinnamon. You can use these oils topically or in a diffuser for aromatic use. Cartilage Injury Birch, Marjoram, and Wintergreen are best for this kind of injury. Lemongrass and Peppermint are likewise useful. Lack of energy in muscles To energize the muscles prior to a workout, use Rosemary. It warms the muscles and helps them to stretch for optimal efficiency. Muscle Cramps Often prompted by pressure or lack of blood circulation, leg and foot cramps can often be prevented by remaining hydrated. Lemongrass, Marjoram, and Peppermint are the best oils for relief, followed by Vetiver, Rosemary, Chamomile, Lavender, Grapefruit, Cypress, Clary Sage and Basil. Muscle Fatigue List of essential oils that I can confidently recommend for muscle fatigue includes White Fir, Peppermint, Marjoram and Cypress. Other than that, Thyme, Rosemary, Grapefruit and Eucaluptus have also shown quite good results with my patients. Muscle Spasms While spasms are not usually agonizing, they can be eased with the use of Basil, Chamomile and Marjoram. Peppermint, Lavender, Cypress and Clary Sage can likewise help. Muscle Sprains Stress in the ligament can be treated with White Fir, marjoram and Lemongrass. Other essential oils that might be helpful are Vetiver, Thyme, Rosemary, Lavender, Helichrysum, Ginger, Eucalyptus and Clove. Tendinitis Marjoram and Lavender are the best essential oils you can use for swelling of the tendon. Muscle stress Whether caused due to physical stress, or emotional anxiety, Marjoram is your best choice for muscle stress. Helichrysum, Lavender, Peppermint, and Roman Chamomile are also useful. Prepare your own essential oil Blends For a muscle pull, blend 3 drops of Roman Chamomile and 2drops of sugary food grade Marjoram together. Apply this blend via cold compress. For muscular pain, combine 3 drops of Roman Chamomile with 3 drops of Lavender. Apply this blend using cold compress. For swelling in the muscles, use a cold compress of 3 drops of Peppermint and 3 drops of Yarrow. To release a muscle spasm, mix 2 drops of Ginger, 3 drops of Cypress and 3 drops of Sweet Marjoram with 3 teaspoons of carrier oil of your choice. Apply this blend topically twice in a day. To soothe tender muscles, blend 3 drops of Lemongrass, 5 drops of Ginger, and 5 drops of Lavender with 5 teaspoons carrier oil of your choice. Apply this blend topically three times in a day. To relax tight muscles, blend 4 drops of Lavender, 4 drops of Rosemary, and 2 drops of Ginger with 4 teaspoons of carrier oil. Use this blend topically three times in a day. In order to ease rheumatic pain, blend 3 drops of Lavender, 3 drops of Ginger, and 3 drops of Silver Fir in 5 teaspoons of carrier oil. Apply this blend over the impacted areas three times in a day. In order to enhance flow of blood to the cramping muscles of the leg combine 3 drops of Ginger, 5 drops of Black Pepper, and 5 drops of Cinnamon in 5 teaspoons of carrier oil. Use this blend over areas where muscle cramps exist. For centuries, essential oils have been recognized for having therapeutic properties. Ancient cultures exercised the art of making essential oils for reliving muscle pain by first soaking the leaves, branches, bark and flowers of plants in oil for duration of time and then using linens to cleanse, separate and filter the oils in a concentrated form. Always remember that muscles need potassium, sodium, magnesium, calcium, glucose and sufficient amounts of water to work. So, I would recommend that you do not overlook something that is the basic requirement for your muscles to function optimally.

Selfish Edna Pontellier in Kate Chopins The Awakening :: Chopin Awakening Essays

Selfish Edna Pontellier in The Awakening Could the actions of Edna Pontellier in Kate Chopin's novella The Awakening ever be justified? This question could be argued from two different perspectives. The social view of The Awakening would accuse Edna Pontellier of being selfish and unjustified in her actions. Yet, in terms of the story's romanticism, Edna was in many ways an admirable character. She liberated herself from her restraints and achieved nearly all that she desired. Chopin could have written this novel to glorify a woman in revolt against conventions of the period. Yet, since the social standpoint is more factual and straightforward, it is the basis of this paper. Therefore, no, her affairs, treatment of her family and lovers, and suicide were completely unwarranted. She was not denied love or support by any of those close to her. Ultimately Edna Pontellier was simply selfish. A typically assumed reason for having an affair is that the person's spouse is, in some way, unsatisfactory. Perhaps by their affair, they are searching for a better source of love. This, however, was not a justifiable cause for Edna's adultery. Mr. Pontellier was a loving husband who tried to show his love for Edna in all of the ways he was able. Léonce showered his wife with valuable gifts. His life revolved around money, and he knew no other way to show his wife how much he loved her. He attempted to compensate Mrs. Pontellier materialistically for the lack of emotional support. While this may not be an ideal solution to the problem, it cannot be denied that Mr. Pontellier was trying to diminish the problems between them. Yet, even though it is understandable that she is upset that her husband lacks family skills, getting married was solely Edna's fault. The history of their relationship is far from perfect. Chopin states "her marriage to Léonce Pontellie r was purely an accident... He fell in love...and pressed his suit with an earnestness and an ardor which left nothing to be desired. He pleased her; his absolute devotion flattered her" (18). Edna was not fair to him when she married him without loving him. She "grew fond of her husband" (18), but fondness is not a good reason for marriage.

Discovery of a Father

In â€Å"Discovery of a Father† by Sherwood Anderson and â€Å"Those Winter Sundays† by Robert Hayes, Sherwood and the speaker both do not approve of their fathers’ actions but begin to appreciate them later on. In the beginning as young boys, both of the sons are lacking the appreciation for their fathers. In â€Å"Discovery of a Father†, Sherwood does not like the fact that his father is a storyteller and how his father would lie about his nationality and take someone else’s as his own. For example, Sherwood recalls, â€Å"If an Irishman came to our house, right away father would say he was Irish. If it was a Scotchman the same thing happened† (5). Sherwood’s father is also a joker and someone who is absent for long periods of time in their family’s life which Sherwood also dislikes. Sherwood also can not understand how his mother could tolerate it. Similar to Sherwood, the speaker reveals his father’s unlikeable traits. The speaker does not like the fact that his father has an unlikeable temper. He expresses how his father’s temper is caused by his long hours at work and the lack of thankfulness. The speaker spends his boyhood â€Å"fearing the chronic angers of the house† (Hayes 9). So soon each son comes to know that his father actually does love him. Although this dislike for both Sherwood’s and the speaker’s father’s actions occur, they also both experience a paradigm shift when they realize that they have some type of reason to New 2 love their fathers; because their fathers love them. Sherwood’s father demonstrates such love when he takes him swimming in the pond which gives them a chance to connect with one another. Sherwood recalls that â€Å"it was a feeling of closeness†¦It was as though there were only we two in the world† (Anderson 8). Ironically, Sherwood’s father is usually very playful and energized but during that night he becomes completely serious and silent. Then Sherwood relates to his father when he notices that not only his father is a storyteller but he himself is as well. On the other hand, the speaker discovers his father’s love when he is older when he remembers when his father displayed a few acts of kindness to him when the speaker says, â€Å"had driven out the cold/and polished my good shoes well† (Hayden11-12). Therefore the sons in both â€Å"Discovery of a Father’ and â€Å"Those Winter Sundays† each have their eyes open to a love that they thought was not there but always was.

Alexander Mcqueen 2

Jane Wang Second draft research paper Jul 30h, 2012 Alexander McQueen â€Å"Creativity is a very fragile thing, and Lee was very fragile,† said the milliner Philip Treacy, who had worked with Alexander McQueen. McQueen, a British genius fashion designer creating a large amount of provocative works in last two decades, committed a suicide because of the suicide of Isabella Blow and the loss of his mother, who were two important supporters of his design (Wilson 89). The â€Å"Spine† Corset, the Skull Scarf, and the â€Å"Bumster† skirt are the representative of the collections of his provocative and dark romantic beauty.McQueen always indicated the dark and deathly elements in his collections, critiqued â€Å"inanity† of the fashion world and expressed his personal life reflections in fashion design. He was the chief designer of Givenchy between 1996 and 2001 and earned British Designer of the Year awards four times(1996,1997,2001 and 2003) (Wilson 89). In t erms of McQueen’s intricate tailoring and provocative design styles, McQueen was significantly influenced by Gilbert Adrian, and Elsa Schiaparelli in the aesthetic aspect; Charles Frederick Worth had processing influences on McQueen's.Adrian and Schiaparelli were fashion designers prevalent around 1930s and 19040s and Worth was popular in in early 19th century. In McQueen’s collections, he applies Gothic Romance with pure black and complex lace ornamentations. His collections focus on the expression of his feelings and moods; it can be scary, disgusting, and romantic. McQueen is like a poet who uses clothing to write his poetry. His runways can always make viewers think, but not just enjoy the visual elements of clothes. Suzy Menkes says of McQueen’s works, â€Å"Distasteful images?But it’s a reflection of our nasty world. And a powerful fashion designer always ingests the ether of modern times. † (Bolton 12). To me, McQueen’s runway shows a re more like drama to convey McQueen’s savage and animalist beauty and death philosophy for fashion. In McQueen’s work, he indicates orientalism, classicism and English eccentrics, but also shows many clues for the future of fashion. As Eric Wilson said in 2010, â€Å"As designers have done for centuries, Mr. McQueen altered the shape of the body using corsetry and anatomically corrects breastplates as a recurring motif.More recently, his work took on increasingly futuristic tones, with designs that combined soft draping with molding, or ones in which a dress seemed to morph into a coat. At his last show, in October, the models wore platform shoes that looked like the hulls of ships. † (Wilson 1). According to the interview with Andrew Bolton, author of â€Å"Alexander McQueen: Savage Beauty†, Bolton offers clues of designers affecting McQueen’s aesthetic. Bolton says, â€Å"In terms of tailoring, McQueen was most influenced by designers whose tec hnical acumen mirrored his own, designers such as Gilbert Adrian and Elsa Schiaparelli. (Interview 1). After I saw Schiaparelli fashion exhibition, I found many direct Schiaparelli design concepts' influences on Alexander McQueen's contemporary collections. Schiaparelli invented culottes, wrapped turbans, Arab breeches, embroidered shirts, pompom-brimmed hats, and barbaric belts ( Smith 1). I think her Skeleton, Lobster, and Tear Dresses have the most obvious influences on McQueen's fashion design, where he also employs a lot of animal elements to express a kind of savage and original beauty.As McQueen himself explains, â€Å"Nature was the greatest, or at least the most enduring, influence upon me. Everything I do is connected to nature in one way or another; Nature was also a central theme, if not the central theme, of romanticism. † (Bolton 15). Take two similar fashion designs from Schiaparelli and McQueen, The Skeleton Dress (Fig 1) and â€Å"Spine† Corset (Fig 2) . Obviously, in both works, two artists utilize a â€Å"backbone† as a key element in their works. They both look scary and savage.In Schiaparelli's work, she employs silk to create a backbone effect, while McQueen changes material to a kind of metal, which strengthen the bones' lines and shock effect. Schiaparelli just uses pure black in this collection. Similarly, McQueen just applies the metal's original color in his design, which is quite concise. Like Schiaparelli, McQueen also tightens the waist to indicate the silhouette of the body. Unlike Elsa's slight decoration of the spine, McQueen extends the human spine to a kind of animal spine with the coccyx.Therefore, it is a good example to exemplify the Schiaparelli's design influences on McQueen's. Because of Bolton’s mention of McQueen’s tailoring influence from Gilbert Adrian, let us take a look at their previous works. Like Adrian's women's suit, McQueen's women's suit always has an exaggerated silhouette and the â€Å"s† pattern is obvious. McQueen also uses a lot of broad shoulders in suits; puffed sleeves were created by Adrian, which was popular in 1930s and 40s American fashion ( History). The huge puff-sleeve dress style is continued in McQueen's dress (Fig 4).Likewise, Adrian's dress â€Å"A version of the ‘Hostess Gown'† contains many puffed sleeves. They both create dresses with huge dress trains to express dresses' falling and floating. Due to the similarity between two designers' fashion style, I chose one work from Adrian and one from McQueen to make a specific comparison. If we take a look at Adrian’s film custom dressing (Fig 3) â€Å"A version of the ‘Hostess Gown'† compared with McQueen dress (Fig 4) from Autumn/winter 2010–11, both artists’ modern style and innovative silhouettes come through.In Adrian's work, he seems to employ silk to indicate a sense of freedom and flow. Similarly, McQueen uses translucent and light material to show the dancing-like movement of the dress. Like Adrian, McQueen also provides three perspectives of the dress, which looks like a dancing and swirling performer. Likewise, the dress hem of McQueen's was tailored freely and asymmetrically. Adrian just slightly tightens up the waist in this work, whereas the bodice is designed as an extremely tight style by McQueen.Unlike Adrian's concise decoration of flowers on the upper left shoulder of the dress, McQueen transforms patterns onto materials as decoration on the surface of the dress and added small puff-sleeve on the shoulder parts. Both works give the viewer a sense of flowing movement; nevertheless, McQueen accentuates the curved bodylines of the dress, which is imbued with a sense of elegance of a dancer and replaced the opaque material Adrian uses to a translucent material, which looks like the body of flowers to add more romantic feelings.McQueen not only shared similar tailoring ideas with other designers, but also the intricate and complex processes of dressmaking. Bolton also mentions, â€Å"In terms of dressmaking, he looked to designers who shared his sense of theatricality and his love of exaggerated silhouettes, such as Charles Frederick Worth, Christian Dior, and Charles James. † (Interview 1). Worth was an English fashion designer of the 19th century, and also considered as the Father of Haute couture, which is made for specific customer with high-quality, expensive fabric and sewn intricate decorations.If we juxtapose both McQueen and Worth's dressmaking works, they both are finished by the most experienced tailoring skills and hand-executed techniques. Especially, McQueen’s dressmaking reflects an aristocrtic style in palace of Middle 19th century, where the dresses had intricate Alencon lace decorations, expensive silk materials, bustles, tightened waists, and an embellished neckline. For example, looking at one of Worth’s evening dresses(fig 5), there are many obvious elements shared with a coat of dress from McQueen’s autumn/winter 2008 collections (fig 6).Both works have loose and puffed dress trains. In Worth's work, he employs corduroy in deep red color, which creates a solemn and elitist effect. Similarly, McQueen applies silk to red to express a figure of Queen. Like Worth, McQueen also cuts the shoulder parts of the dress with a puffed effect. However, McQueen repeats this effect in the neck part and strengthens it in the train of the dress. In terms of ornamentation, in Worth's dress, there are Alencon lace patterns in the upper back, while McQueen utilizes intricate metals and diamonds as head decorations, which looked like a Queen's crown.Indeed, the tailoring similarities between both designers are evident. However, McQueen updates the puffed sleeves with tightened wristbands to emphasize the 19th century aristocratic style. Without doubt, Alexander McQueen is a prolific and experienced fashion designer and his collections are multi-faced and cause viewers to think deeply. Even though he shared many similar aesthetics with other fashion designers, he recombined each tiny element he liked and produced novel, updated, â€Å"McQueen’s† work. As Bolton describes McQueen like a demonic Edward Scissor hands (Interview 1).Yes, I feel that McQueen is a devout Scissor hand. Although he received acrimonious critics of his provocative style, like the controversial Highland Rape, autumn/winter 1995–96, which even made viewers feel uncomfortable with the collections, he insisted on his own dark and death romance. Do you remember the character Helena in A Midsummer Night’s Dream? â€Å"Helena believes that love has the power to transform something ugly into something beautiful because love is propelled by subjective perceptions of the individual, not by objective assessments of appearance. (Bolton 12) I think this idea is central of McQueen’s collections, which breaks the viewer’s boundary between ugliness and beauty. His aesthetic purpose is to force viewers look at the ugliness, examine the dark part of their innermost beings and think about the savagery of nature. In addition, he updated Worth, Shiaparelli and Adrian's designs with modern styles, novel textile, complex hand-making processes, which follow up the contemporary fashion society. . [pic] (Fig 1) Elsa Schiaparelli.The Skeleton Dress. France. 1938. Silk crepe [pic] (Fig 2) Alexander McQueen. â€Å"Spine† Corset. Untitled. Spring/summer. 1998 [pic] (Fig 3) Gilbert Adrian, â€Å"A version of the ‘Hostess Gown' †, 1930's and 40's [pic] (Fig 4) Alexander McQueen (British, 1969–2010). Dress. Autumn/winter 2010–11. [pic] (Fig 5) Charles Frederick Worth (French, Bourne 1825–1895 Paris). Evening Dress. 1893-95 [pic] (Fig 6) Alexander McQueen. Untitled. Autumn/winter. 2008 Works Cited Bolton, Andrew and Koda Harold.Savage Beauty. New York: The M etropolitan Museum of Art, 2011. Print. History Wired Gilbert Adrian. National Museum of American History. Jan 2010. Web. 19 Jul 2012. Interview with Andrew Bolton, author of ‘Alexander McQueen: Savage Beauty’. Yale University Press. 5 May. 2011. Web. 19 Jul. 2012. Smith, Roberta. DESIGN REVIEW: For a Body that Nobody Ever Had. NY: The New York Times. Dec 7, 2001. Print. Wilson, Eric and Horyn, Cathy. â€Å"Alexander McQueen, Designer, Is Dead at 40. † New York Times Feb 2010: 89. Web.